El Palmas Teases New Venezuelan Compilation With Groovy Organ Cumbia
<p>
As Afropoppers know, <em>cumbia</em> is a pan-Latin American phenomenon, with
variants popping up from Argentina to Texas. As the originator,
Colombia probably holds the cumbia crown, and I’ve got a lot of
fondness for Peruvian <em>chicha</em>, but a new compilation of
Venezuelan music from the ‘60s and ‘70s makes me wonder if we
haven’t been overlooking a powerhouse atop South America.
<br></p>
<p>Just listen to this
beautiful organ tune from Mario y Sus Diamantes, first released in
1966 and now the new single from an upcoming compilation from El
Palmas Music:<br>
<br></p>
<figure><iframe loading="lazy" style="border: 0; width: 350px; height: 470px;" src="https://bandcamp.com/EmbeddedPlayer/album=890393597/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/track=2930112992/transparent=true/" seamless=""><a href="https://elpalmasmusic.bandcamp.com/album/color-de-tropico-vol-2-compiled-by-el-dr-gon-criollo-el-palmas">Color De Tropico Vol 2 Compiled by El Drágon Criollo & El Palmas by Mario y Sus Diamantes</a></iframe></figure>
<p><br>I mean, how good is that? Check out the other singles from the album too, "Buena Suerte" is particularly choice: <br>
</p>
<figure><iframe loading="lazy" style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=890393597/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless=""><a href="https://elpalmasmusic.bandcamp.com/album/color-de-tropico-vol-2-compiled-by-el-dr-gon-criollo-el-palmas">Color De Tropico Vol 2 Compiled by El Drágon Criollo & El Palmas by El Palmas Music</a></iframe></figure>
<p>The compilation,
<em>Color de Tropico Vol. 2,</em> comes out May 14, on Barcelona’s El
Palmas Music, and it’s chock full of bangers: opening with a Fela
Kuti cover and a Desmond Dekker cover, along with gritty salsa and
folk-inflected <em>llanera</em> tunes. </p>
<p>The ‘60s and ‘70s are
referred to as a golden age for Venezuelan music. The country was
flush with oil money and democratic stability, attracting musicians
from all over. Mario Carniello, the organist who coaxed his Hammond
into sounding like a woodwind, moved there from Italy to work in the
oil industry and ended up as a musician-in-demand, which is just
about the dream, isn’t it?
<br>
</p>
